水晶花房

▲俯瞰建筑 Viewed From Above————该项目位于北京市朝阳区霄云路甲26号。项目原貌是一处独立的玻璃房子，由三个两虚一实的自由三角形组成，我们初见它的第一感觉就是“通透”，就像一块放大了的天然水晶。 The project is located at Jia26 Xiaoyun Road, Chaoyang District, Beijing. The original structure was a standalone glass house, composed of three free-form triangles—two "void" and one "solid." Our first impression of it was one of "transparency," like a magnified piece of natural crystal. “水晶房子”的周围半环抱着城市绿植，有时室内外的界限给人感觉突然模糊了，就好像外面的鸟语花香也能飞到室内，屋内也开满鲜花、爬满藤蔓，“水晶房子”变成了“水晶花房”，如果我们把男装店开在一个就这样简单的花房中，好像也挺浪漫，于是我们畅想着、思考着，想把这个“水晶花房”从梦中搬到现实。 The "Crystal House" is semi-encircled by urban greenery. At times, the boundary between inside and outside seems to blur abruptly—as if the birdsong and fragrance from outside could drift indoors, as if the interior too were brimming with blossoms and trailing vines. The "Crystal House" transforms into a "Crystal Greenhouse." The idea of opening a menswear store in such a simple flower house struck us as rather romantic. And so we began to envision, to ponder, how to bring this "Crystal Greenhouse" from dream into reality.

▲建筑立面 Building Facade

▲室内空间 Interior Space

▲室内空间 Interior Space

▲室内空间 Interior Space————我们首先把一半随机、一半秩序的“经纬”结构植入“水晶”中，它就像“水晶”中的“棉絮”，也是“花房”的“花架”，然后让它爬满“藤蔓”，再架设“植物灯”，让它们茁壮成长。我们将“藤蔓”设置为抽象化的片状，就像在舞台上的童话故事里一样；我们把“花架”设计为尽量薄的薄板墙，一方面呼应一片片的“藤蔓”，一方面增强室内空间的轻盈感； “藤蔓”是绿色的，好像当中没有花，满墙都是粉色的，也好像满墙都是花。 We began by implanting a "warp-and-weft" structure—half random, half ordered—into the "crystal." It acts like the "inclusions" within the crystal, and also as the "trellis" for the flower house. Then we let it become overgrown with "vines," and installed "grow lights" to help them thrive. We designed the "vines" as abstract, sheet-like forms, akin to something from a fairy-tale stage set. The "trellis" was conceived as an ultra-thin panel wall, both to harmonize with the layered "vines" and to enhance the sense of lightness in the interior space. The "vines" are green, as if there were no flowers among them, while the entire wall is pink, as if the entire wall were in bloom.

▲室外空间 Exterior Space

▲室外空间 Exterior Space

▲室外空间 Exterior Space————如果室内的“花房”就像把室外的景观引入室内，那么室内向室外延申的景观就像把“水晶”的能量洒向室外。区别于“水晶”的棱角分明，我们把洒向室外的景观部分设置为了自由形的弧线，它偶尔在几处轻微隆起，就像自由的土坡，围绕着几棵树，形成有趣的微地形。 在地形上我们还安置了眨眼灯，它们在晚上会随机的一闪一闪，就像一眨一眨的星空，也像魔法森林里的萤火虫。 If the indoor " Greenhouse" is like drawing the outdoor landscape inside, then the landscape extending from the interior to the exterior is like scattering the energy of the "crystal" outdoors. Distinct from the sharp angles of the "crystal," the landscape extending outdoors is designed with free-form curves. These occasionally rise gently in a few areas, resembling natural undulations in the terrain, encircling several trees to create engaging micro-topography. On the terrain, we also installed blinking lights. At night, they flicker randomly, resembling a twinkling starry sky or fireflies in an enchanted forest.

▲分析图 Analysis Chart

▲室内空间 Interior Space

▲室内空间 Interior Space————我们把个别“藤蔓”适当改造，加上横板，它就变成了置物架。 We adapted select "vines" by adding horizontal panels, transforming them into shelving.

▲室内空间 Interior Space

▲室内空间 Interior Space————在一些家具的设计上，我们也希望它们能融入整个空间的设计语言，用尽量轻薄的结构描绘家具的风格。 In the design of some furniture pieces, we also aimed to integrate them into the overall spatial design language, using the thinnest possible structures to delineate their style.

▲室内细节 Interior Detail

▲室内细节 Interior Detail

▲平面图 Plan————作为一个男装定制店，138㎡的面积很小，所以我们需要在空间布置上精打细算。在建筑平面中，两个玻璃三角是通透的，我们把它们设置为展示空间；一个实体三角是封闭的，我们把它设置为后台空间；三个三角形的交汇处是整个空间的动线枢纽，我们把一个半开放的试衣间放置在这里，这样从功能上看，它既可以是封闭的试衣间，也可以是开放的空间转角。在材料方面，我们用软质的厚帘来代替硬质的隔断，用相同的材质的拉帘门代替硬质的房门，形成有趣的反差，同时也让试衣间的触感更加柔软温馨。我们把软隔断机理设计为长方形，就好像放大一些的瓷砖，也好像粉色“经纬”结构的缩影，我们希望这些细节能融入整个环境，也能偶尔给人点惊喜。 As a bespoke menswear store, the 138-square-meter area is quite compact, necessitating meticulous planning in the spatial layout. Within the building plan, the two glass triangles are transparent and designated as display areas; the one solid triangle is enclosed and serves as the back-of-house space. The intersection of the three triangles forms the circulation hub of the entire space, where we placed a semi-private fitting room. Functionally, it can serve as either an enclosed fitting area or an open spatial transition. In terms of materials, we used soft, heavy curtains in place of rigid partitions, and sliding curtain doors instead of solid ones, creating an interesting contrast while also making the fitting room feel softer and more inviting. The texture of the soft partitions is designed in a rectangular pattern, resembling enlarged tiles or a scaled-down version of the pink "grid" structure. We hope these details blend into the overall environment while occasionally offering subtle surprises.

▲开放试衣间 Open Fitting Room

▲开放试衣间 Open Fitting Room

▲开放试衣间 Open Fitting Room

▲开放试衣间 Open Fitting Room

▲室内空间 Interior Space

▲室内空间 Interior Space

▲室内空间 Interior Space

▲试衣间 Fitting Room

▲橱窗 Display Window